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Jakob Arjouni
Jakob Arjouni

Jakob Arjouni, born 1964 in Frankfurt on the Main, has published novels, short stories, theatre and radio plays. Arjouni was only twenty-one years old when his acclaimed debut, ›Happy birthday, Turk!‹ was published and its main character, the Frankfurt-based private detective Kemal Kayankaya, took on his very first investigation. In 1991, the book was made into a film, directed by Doris Dörrie. Three further cases followed; for the third, ›One Man, One Murder‹, Jakob Arjouni was awarded the 1992 ›German Crime Fiction Prize‹. In autumn 2012, ›Brother Kemal‹, the fifth volume starring the German-Turkish investigator was published. The series is now firmly established as a classic amongst crime literature. Apart from his stage plays, his work also includes the Berlin novels ›Magic Hoffmann‹ (1996) and ›Holy Eddy‹ (2009) as well as ›Idiots. Five Fairy Tales‹ (2003). His novels ›Homework‹, ›Chez Max‹, and particularly his novel about an East-German Nazi follower, ›Cherryman Hunts Mister White‹, are now on school reading lists. The theme of addressing violence in all its forms runs through Arjouni's work like a red thread. His readers loved him for his thrilling, sharp-tongued, linguistically unpretentious, witty and clever books. He died on the 17th of January 2013 in Berlin.

Jakob Arjouni's works have been published in 24 languages.

Books

Buchreihen

Kayankaya

Pressezitate

The Guardian
»Magnificent«
The Times
»Arjouni deserves to be better known in the English speaking world.«
Tempo
»Jakob Arjouni writes the best urban thrillers since Raymond Chandler.«
Die Welt
»A master of the sketch and the caricature.«
El Pais
»Impossible to put his books down.«
Stern
»A worthy grandson of Marlowe and Spade.«
El País, Madrid
»Arjouni tells real-life stories, and they virtually never have a happy ending. He tells them so well, with such flexible dialogue and cleverly maintained tension, that it is impossible to put his books down.«
L'Unità, Milan
»A genuine storyteller who beguiles his readers without the need of tricks.«