Mikhail Davidson
»It seems to me that a cult writer of the first twenty years of the 21st century has appeared in Russia, replacing Viktor Pelevin.«
Mikhail Idov
GQ Russia, Moscow
»Despite its brevity and Belarusian style, you are holding a really big Russian novel – perhaps the one that literature has been awaiting for years.«
Nikolai Khalezin
(Playwright and director of the Belarus Free Theatre)
»If we leave out Svetlana Alexievich, who is already a classic, today the leaders of the literary course are Algerd Bakharevich in the Belarusian-speaking segment and Sasha Filipenko in the Russian-speaking segment.«
Sergei Chuprinin
(Literary critic and jury president for the ›Russian Prize‹)
»When I had opened the book by Sasha Filipenko, I saw a great novel about the events taking place today in Belarus.«
Alex Dubas
(Russian author)
»The book is extremely lyrical. I don't think I've ever read anything better about a grandmother's love for her grandson.«
Natalya Sindeeva
(Founder and CEO of Rain TV)
»A powerful, dense, surprisingly sincere text.«
Nora Zukker
Tages-Anzeiger, Zurich
»The Ex-Son was published in Russian back in 2014; a significant detail, because the novel has lost none of its topicality«
Uli Hufen
WDR 5, Cologne
»Sasha Filipenko made us more closely acquianted with Belarus and its history. The fact that his book remains topical even seven years after its publication shows how dire the situation is«
Volker Weidermann
Der Spiegel, Hamburg
»The Belarusian author Sasha Filipenko depicts all this and more in his new, witty, acerbic, combative and outstanding novel.«
Cornelia Geißler
Berliner Zeitung, Berlin
»This literal irony of history is densely narrated, with humour and bitter solemnity.«
Dagmar Kaindl
Buchkultur, Vienna
»Perhaps the most moving and shocking release of spring 2021: Sasha Filipenko's prophetic debut novel The Ex-Son, available for the first time in German, depicts the hell of the Lukashenko regime.«
Peer Teuwsen
NZZ am Sonntag, Zurich
»A brilliant novel that undermines the facts with humour.«
Lilo Solcher
Augsburger Allgemeine, Augsburg
»In this novel, too, the young author impresses with his considerable imaginative talents and stylistic force. A must read!«
Jutta Sommerbauer
Die Presse am Sonntag, Vienna
»Filipenko’s metaphor is impressive: it’s as though it wasn’t Franzisk in a deep sleep, but the world around him.«
Bernadette Conrad
Aargauer Zeitung, Aarau
»Filipenko’s novel is emblematic of the wound which, even six years on from its first appearance, continues to bleed heavily.«
Jens Uthoff
taz, Berlin
»The Ex-Son couldn’t have appeared at a more fitting time than the Lukashenko twilight in Belarus.«
Dagmar Kaindl
Buchkultur, Vienna
»Highly topical, skilfully narrated and deeply moving.«
Kristian Teetz
Sonntag, Hannover
»In this novel, humorous and bitter in turn, Filipenko depicts a country living in a state of paralysis, beneath a blanket of fear.«
Peter Zander
Berliner Morgenpost, Berlin
»And yet The Ex-Son envisions the end of this dictator: almost a Good Bye, Batka!«
Marco Kefting
Münchner Merkur, Munich
»Filipenko’s style is clean and unadorned.«
Lerke von Saalfeld
Frankfurter Allgemeine Zeitung, Frankfurt
»Filipenko describes the rebellion of his people against dictator Lukashenko with enchanting humour, full of wit and yet full of grief.«
Meike Schnitzler
Brigitte, Hamburg
»The Ex-Son is proof that Filipenko is one of the most exciting Russian-language authors of our time.«
Freie Presse, Chemnitz
»This novel is first class, narrated with drama and suspense.«
Helmut Zechner
ORF, Vienna
»One of my favourite books from this year’s spring releases.«
Werner Krause
Kleine Zeitung, Graz
»A bold, ink-black reckoning with the Lukashenko regime.«
Karlheinz Kasper
Neues Deutschland, Berlin
»Filipenko’s style captivates with its subtle irony and bitterly serious black humour.«
Marc Duursma
NRC Handelsblad, Amsterdam
»Filipenko employs a timeless style of political satire comparable to the Absurdism of Frenchman Eugène Ionesco and other playwrights.«
Marc Duursma
NRC Handelsblad, Amsterdam
»Filipenko employs a timeless style of political satire comparable to the Absurdism of Frenchman Eugène Ionesco and other playwrights.«
Franziska Trost
Kronen Zeitung, Vienna
»Filipenko's book is a roman à clef, offering aggrieving insight into the situation of the Belarusians.«